Based in Kent, just southeast of London, Qitula has been quietly & ever so patiently carving out his sound from a tangled web of modular synth patches.

After more than a dozen releases, Skopavik proudly present HCY’s ‘Pale Mono’, the label’s first EP from an artist outside of the original trio.

Sliding in at 6 tracks, consisting of four originals and remixes by Luke Hess and Frenk Dublin, Rebuild provides in spades exactly what one would want from a look on the tin.

In the past few years, Brendon Moeller has quietly retooled his language without abandoning its core.

The Spanish electronic scene we’ve come to know is not driven by spectacle.

One of four talented remixers on the EP, French producer Aerae has confidently molded & reshaped the title track into her own signature style of heady downtempo / drum & bass.

Music that materialized from a collection of field recordings close to SIJIN’s heart, gathered from the natural soundscapes of the northernmost province of Mongolia.

In times of excess, there is constant pressure to cull the noise.

For Qeone’s sixth and final release of 2025, Lindsey looks to Mexico City via Berlin based Viiaan and her forthcoming EP titled ‘Taiko’.

Congratulations are in store as the Italian imprint Pregnant Void marks their 20th release via a phenomenal LP from the Berlin based, Toxido Mask.

Unrushed and enjoying life slowly in Berlin since 2016.

Beloved Berlin imprint Kizen expands its 2025 account with another long player, this time sliding into the slow burn of dub

The sense of travel doesn’t always require presence.

Our collaboration with Mostra has always been personal. So, it felt right to open this year’s chapter with a mix that shares that sense of closeness. Al Blayney’s approach to music is rooted in care, not display.

“The mix was born in the forests of the Carinthian Alps at the annual Endemit festival in Koroška, Slovenia as part of a performance for the opening set on the second day of the event.

Friday’s ambient program at this year’s Mostra Festival came full circle.

Digging does not always mean discovery in the sense of the unknown.

In a moment where festivals blur into a constant scroll of names and posters, Ouroboros has always felt anchored to something more elemental.

Javi’s contribution to La Mostra’s biennial unfolded inside the Convent de Sant Agustí like a quiet act of urban archaeology

There are festivals you attend and festivals that rearrange something small but permanent inside you.

For this week’s Delayed with edition, we welcome Berlin-based artist Valentin Ginies with a special recording from a bunker in the woods of the Japanese Alps, in a small village in Nagano, Japan.

There was a meme circling the internet at some point saying “People who show you new music are important.”

Some collaborations feel orchestrated. This one felt inevitable.

Morning sets at Perpendicular always have a peculiar gravity.

For the next edition of our Label Spotlight series we travel over to the UK, to hone in on a label that sits somewhere between the ambient, experimental & modular synthesis worlds known as Old Technology.

Margaux Gazur is a French-Vietnamese sound artist and multi-instrumentalist based in Berlin. Her work draws from electronic music, musique concrète, classical, and experimental jazz.

We at Team Delayed are excited to share an in-depth conversation with our friends Leopold & Simon, musically known to you as Javier Salazar.

My first encounter with Sarah Wreath was likely through Instagram, where she sent me a beautiful ambient set featuring gongs.

For the first of a new series highlighting record labels around the world, we bring you GIFKIKKER - a Brussels-based collective of friends birthed just after the pandemic.

While snow falls on a frigid Brooklyn, I sit at home. Having a tea, and enjoying the dub infused selections as they coalesce. Somehow they work together, the austere winter outside playing off the warm, rhythmic sounds from within.

When we talk about it, it makes you want to smile, but at the same time your eyes can fill with tears. And, speaking about saudade, I have a lot. Sunday is a saudade called Minas Gerais. - Albin

Another year comes to a close. So much great music, mixes, and times spent abroad and here in New York with friends afar. I’m now looking forward to some family time as they’ll be arriving soon for a week-long stay in the big city. I wish everyone joyful celebrations and I’ll see you all in the new year.

Today’s morning soundtrack provided by Turkish producer, N’es and his pristine journey through atmospheric ambiance.

November brings forth a cold edge, the harbinger of winter.

This morning’s revelry is brought by none other than the creator and curator of the lovely Observatory platform, Jay Keegan.

The warm afterglow of a weekend of music. Smoke filled rooms and comforting tones, all shades of ambient and beyond. This is what I played for my set on Sunday, the final day at our annual barn gathering.

All of us. As each year passes, I appreciate more and more the mental haven that has developed. A space to relax, a platform to create. Focusing on moods and sounds that we listen to recover and unwind. Deeply personal, and a sonic window into the soul, the variety of guest mixes, and emotions covers the spectrum. I am so humbled to be able to release each and every entry.

The heat waves have subsided to a degree, breezes sweep the green trees throughout Brooklyn. After a break, I’m happy to be out walking again, street by street, watching life unfold in the warm New York summer.

Aussie producer and DJ, Other Joe presents a warm Sunday morning from down under…

A return to New York after quality time spent with the family. These trips are a great mental break from the hustle and bustle of city life.

Tensen Park joins the Sundays series…

December tends to blur into accounting exercises and best-of rhetoric, but the music itself had other plans.

As we reflect upon a busy year at Delayed & for the scene as a whole, our team has once again thoughtfully gathered their personal collection of sonic companions that stood out to them the most in 2025

November moved with a strange elegance, as if the month was testing how far rhythm could stretch before it snapped.

October's releases felt like cartographers sketching new maps of rhythm and emotion.

There’s a particular stillness to September.

August has a reputation for being a quiet month.

Festival season is in full swing. Life feels like a brief interlude between one festival and the next.

June felt like living inside a pressure cooker: heat steaming the pavement, skies breaking open in floods, and a world that keeps tripping over its own shoelaces. But music, as ever, remains the lifeboat.

April came with that classic spring duality: pollen and bloom, clarity and haze. The soundtrack? Just as layered.

March tends to mark a shift. As calendars fill with club nights and festival dates, producers start rolling out records built for movement—weighty, immersive, and often primed for the floor.

Did you already hit yourself with the classic “Wait, it’s March already?” 

January’s come and gone, and we spent it the way we always do—digging for music that stuck with us, the kind that kept playing in the background while we worked, talked, or just spaced out.

The evolution of the DJ mix hasn’t been about getting shorter or longer. It’s been about intention. What was once dismissed as insufficient (60-70min) has matured into a format that rewards precision

November listening often behaves like a double exposure.

We often try to impose order on listening by genre, function, or energy level, but the best mixes refuse to fit neatly into any category

Each month draws its own geography of sound, and September traced one that moved between reflection and release.

The mix is one of electronic music’s oldest tools, yet it refuses to age.

You don’t stumble into this kind of music by accident.

Balance. That’s the word rattling around our skulls these days.

What if this playlist is a museum?

We're just weeks away from one of NYC's finest moments when the city shakes off winter and blossoms in full force.

If our favorite mixes from January were a one-day festival, it would unfold like this: Camu, Grant Aaron, and Einerlei, easing us into the day with introspective ambient, experimental textures, and laid-back downtempo moods.

Here we are, wrapping up 2024 with one last post to celebrate the mixes that soundtracked our December. It's become a little tradition for us to pull together a list that fits different moods and moments, and this month's picks feel extra special.